Publications

The following is a comprehensive and up to date bibliography of our publications. Where possible full-text and/or draft formats are provided.

2017

Dalgleish, M. (forthcoming 2017) Loop: A Circular Ferric Memory in Slow Decline. Leonardo Music Journal, vol. 27 (2017), pp. TBC.

Dalgleish, M. and Reading, N. (forthcoming 2017) Soundtrack as auditory interface: exploring an alternative to audio description for theatre. In: REPRODUCED SOUND 2017 – SOUND QUALITY BY DESIGN, 21-23 November 2017, Institute of Acoustics, Nottingham, UK.

Dalgleish, M. and Reading, N. (forthcoming 2017) Bert: Using Chion to Rethink Audio Description for Theatre. Accepted for International Conference on Electroacoustic Winds 2017 (EAW ’17), University of Aveiro, 13-17 November 2017.

Payne, C. and Dalgleish, M. (forthcoming 2017) 12 Bar Blues Array: How to Get Guitarists Playing Solos and Code. Accepted for: the 2017 Conference on Music and Innovation (InMusic ’17), University of Westminster, 6-8 September 2017.

Payne, C. and Dalgleish, M. (forthcoming 2017) MAMIC goes LIVE: A Portable Music Visual Programming System for the Non-Expert Practitioner. Accepted for: the 2017 Conference on Music and Innovation (InMusic ’17), University of Westminster, 6-8 September 2017.

Dalgleish, M. and Reading, N. (2017) Beyond Audio Description for Theatre: Soundtrack as Interface for Blind and Visually Impaired People. Activating Inclusive Sound Spaces, 8-9 July 2017, University of Huddersfield, UK.

2016

Dalgleish, M. (2016). Unconventional Inputs: Old/New Instruments, Design, DIY and Disability. eContact! Online Journal for Electroacoustic Practices [online]. vol. 18.3 (Dec 2016). Available at: http://econtact.ca/18_3/dalgleish_unconventional.html

Dalgleish, M. (2016). Wiring the Ear: Instrumentality and Aural Primacy in and After David Tudor’s Unstable Circuits. Leonardo Music Journal, vol. 26 (Dec 2016), pp. 73-74. Available at: http://www.mitpressjournals.org/doi/abs/10.1162/LMJ_a_00966#.WBM9KuErLeQ 

Foteinou, A., Spencer, S. and Dalgleish, M. (2016). Experimental Investigation of the Contribution of Resonant Frequency to Trumpeter’s Performance. In Proceedings of 23rd International Congress on Sound & Vibration (ICSV), Athens, Greece, 10-14 July 2016. Available at: http://wlv.openrepository.com/wlv/handle/2436/618660 

Dalgleish, M. (2016). The Modular Synthesizer Divided: The Keyboard and Its Discontents. eContact! Online Journal for Electroacoustic Practices [online]. vol. 17.4 (April 2016). Available at: http://econtact.ca/17_4/dalgleish_keyboard.html

Payne, C. and Dalgleish, M. (2016). MAMIC: A Visual Programming Library for Amalgamating Mathematics and Coding Through Music. Group for Learning in Art & Design (GLAD) Conference, Birmingham, United Kingdom, 25 February 2016. Available at (abstract only): http://wlv.openrepository.com/wlv/handle/2436/620234

2015

Dalgleish, M., Foster, C., Burn, R., Clarke, L. Dudley, A. and Prosser, J. (2015). The Laptop Ensemble as Learning Platform. In: Rich Exchanges Learning and Teaching Conference, Wolverhampton, United Kingdom, 21 July 2015.

Dalgleish, M., Payne, C. and Spencer, S. (2015). Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet Players. In: Proceedings of Electronic Visualisation and the Arts London (EVA London), British Computing Society, London, United Kingdom, 7-9 July 2015. Available at: http://ewic.bcs.org/upload/pdf/ewic_eva15_visual_paper6.pdf 

Dalgleish, M., Payne, C. and Burn, R. (2015). Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis. In: Proceedings of Electronic Visualisation and the Arts London (EVA London), British Computing Society, London, United Kingdom, 7-9 July 2015.

Dalgleish, M., Payne, C. and Spencer, S. (2015) Postrum II: A Posture Aid for Trumpet Players. In: Proceedings of the 2015 Linux Audio Conference (LAC15), Mainz, Germany, 9-12 April 2015. Available at: https://www.academia.edu/11971164/Postrum_II_A_Posture_Aid_for_Trumpet_Players

2014

Dalgleish, M. and Spencer, S. (2014). Postrum: Developing Good Posture in Trumpet Players Through Directional Haptic Feedback. In: Proceedings of the 9th Conference on International Musicology (CIM14), Staatliches Institut für Musikforschung, Berlin, Germany, 4-6 December, pp. 334-338. Available at: https://www.academia.edu/9065984/POSTRUM_DEVELOPING_GOOD_POSTURE_IN_TRUMPET_PLAYERS_THROUGH_DIRECTIONAL_HAPTIC_FEEDBACK 

Dalgleish, M., Foster, C. and Spencer, S. (2014). Blurring the Lines: An Integrated Compositional Model for Digital Musical Instrument Design. In: Proceedings of the 9th Conference on International Musicology (CIM14), Staatliches Institut für Musikforschung, Berlin, Germany, 4-6 December, pp. 260-266.

Dalgleish, M. (2014). Reconsidering Process: Bringing Thoughtfulness to the Design of Digital Musical Instruments for Disabled Users. In: Proceedings of INTER-FACE: the 2nd International Conference on Live Interfaces (ICLI 2014), Lisbon, Portugal, 20-23 November 2014, pp. 308-315. Available at: http://users.fba.up.pt/~mc/ICLI/dalgleish.pdf

Dalgleish, M., Prosser, J., Foster, C., Lowe, A. and Bromham, G. (2014). The Synthesizer Divided: the Effect and Prospects of the Keyboard. In: Sines & Squares, NOVARS, University of Manchester, United Kingdom, 25-26 October 2014.

Bellingham, M. and Dalgleish, M. (2014). Ghosts of the Modular. In: Sines & Squares, NOVARS, University of Manchester, United Kingdom, 25-26 October 2014.

2013

Bouwer, A., Holland, S. and Dalgleish, M. (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, S., Wilkie, K., Mulholland, P. and Seago, A. (eds.) Music and Human-Computer Interaction. Cultural Computing. London: Springer.

Bouwer, A., Holland, S. and Dalgleish, M. (2013). Song Walker Harmony Space: Embodied Interaction Design for Complex Musical skills. In: Holland, S., Wilkie, K., Mulholland, P. and Seago, A. (eds.) Music and Human-Computer Interaction. Cultural Computing. London: Springer.

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